White Backgrounds For Commercial Photography
Of all places, we’ve found this brief yet interesting article on how to meter for seamless white backgrounds on the recycling blog Beautiful Rubbish. If any subjects are wearing or holding anything...
View ArticleVIDEO: AbelCineTech features Sekonic L-308DC
AbelCineTech features Sekonic L-308DC and Panasonic AF-100 in the below video on Vimeo. See Jem Schofield and Andy Shipsides of AbleCineTech talk about new products and why a meter is needed for good...
View ArticleNextWaveDV Visits Sekonic at Cine Gear 2011
Tony from NextWaveDV met with Sekonic Product Marketing Manager Phil Bradon at Cine Gear 2011 and posted this piece on the NextWaveDV site. Phil explains the difference between the Sekonic L-308DC and...
View ArticleVIDEO: Vincent Laforet on Sekonic and Light Metering
The gentleman whom many consider the forefather of the HDSLR short film revolution, Vincent Laforet, is featured in a new video on light metering as it applies to digital filmmakers. The film has just...
View ArticleRyan Walters on the Importance of a Meter
We last heard about cinematographer Ryan E. Walters of Portland, Oregon on the Sekonic site, he was featured in the Sekonic ProSpeak series. He’s now running a highly-educational behind-the-scenes blog...
View ArticleMike Pecci’s Grindhouse Schooling
Boston photographer and filmmaker Mike Pecci has never left his hometown for long. Aside from a stint at film school in New York, Pecci has remained in Boston, a testament to the independent spirit of...
View ArticleUsing an Incident Light Meter for HD Video
provideocoalition.com Art Adams of ProVideo Coalition has published a story on how he uses an incident light meter. He’s using the Sekonic L-758Cine, for his HD video work. If you’ve been waiting for a...
View ArticleRyan E. Walters on Metering for Digital Filmmaking
ryanewalters.com Creative people new to digital filmmakers often ask themselves the following two questions. “Do you really need a light meter?” and “What’s the point now that we have digital...
View ArticleTal Lazar on using Sekonic’s DTS for Cinematography
mac-on-campus.com In this interview, published by Mac-On-Campus, Aimee Baldridge interviews cinematographer and educator Tal Lazar about the role of metering in filmmaking. When asked what he learned...
View ArticleThe Value of a Light Meter by Den Lennie
Den Lennie, the DP and founder of F-Stop Academy, talks about how a light meter helps him light for video in “Free Film Making Tip #3.” He uses the Sekonic L-308DC DigiCineMate in order to demonstrate...
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